Tuesday, February 20, 2018
The old school Bass Bot TT-303.
Saw this on the local Craigslist, and tossed and turned over picking it up. My friend Tom Hall pushed me to do it - especially at the offer price. Places like RA raved about it, and I had a 303 back-in-the-day that I quite enjoyed (although I would have liked a little more useful I/O). So along comes the chance to pick this up, with its MIDI I/O, it's CV/Gate outputs for the modular, it's quirky editing style along with its updated 'generative' OS - and I went ahead and bought it.
I've been playing with it for the last week or so, and I've been plugging it into the Tiptop modular for sequencing fun. Totally weird, and totally lovely. The InstaDJ OS that they developed for this thing is a blast, and is a real dice game during performance - you will get something related to the 'personality' of the slots where you gen new material, but it'll often take you by surprise.
In many ways, this is the 303 I really wanted back in 1996, and it cost me about a third of what I paid back in 1996, and I'm thinking that I'm going to hang onto this for a while...
Sunday, February 18, 2018
Friday, February 16, 2018
Walker Farrell is crushing it on Bandcamp ATM. His series of archival releases are really beautiful, and are coming at a furious rate. I've been enjoying them - and I suggest that you try 'em out; his work is all over the EM scene, and draws you in by being sneaky-smart.
I interviewed Walker a while back, and it was a great talk. Combining that interview with a load of new listening is a real treat...
Tuesday, February 13, 2018
It's back 'In The House' (I found one and bought it...), and it's just about to be available again for purchase! After a bit of a disturbance in The Force, the Boomerang III Phrase Sampler is back in production, and new versions should be shipping soon.
I have tried virtually everything in the market - both hardware and software - and haven't found anything as inspiring as this beast. Simple functionality for either sync'd, unsync'd or serial modes, straight-forward setup of bonus functions, and a non-visual UX that keeps you focused on the music rather than the Big Lights.
I'm really glad they are making these again. Now, if I could just find where they stashed the updated firmware, I'd really be in business. Until then, I'm just going to loop. Until then, I'm just going to loop. Until then...
Friday, February 9, 2018
Here's a quickie video of a little waveform generator I created. I'm a big fan of single cycle waveforms, and was always a big fan of the Adventure Kid Waveforms. But when I got my MPC Live, I wanted to have my own waveform builder, and I reached back into my ancient box of goodies, and reanimated some of the functions that I'd put into the ol' Wave256 editor I created for the Wiard Modular Waveform City.
This one is better in a lot of ways: I have a working undo chain (with a few bugs to iron out yet...), and better mix-in wave handling. You can also choose the number of samples per cycles - and you can render either a single waveform, or a two-second sample of the waveform looped.
If you want to give it a try, check it out at: http://scw.sheetsofsound.com
Thanks to my sheetsofsound friends (Andrew and Tom) for their help in getting this to the point where it is. Many plans for the future (can you say wavetables?), but let's get this one cleaned up first!
Tuesday, February 6, 2018
It's a cool little standalone device that gives me loads of flexibility. It doesn't sit in the rack, so I need to remember to take it along with me - but it also doesn't sit in the rack, so I don't have to dump other modules to make room for it! It is also ultra-flexible, with a Web-MIDI-based setup function that makes it a dream to configure for my needs.
I got it right before NAMM, and am just starting to play with it. But it seems like a home run to me!
Sunday, February 4, 2018
This week's Art + Music + Technology podcast is a deep dive with someone that is probably more modular than anyone out there: Todd Barton. Todd's work ranges from education to live performance, and his blog posts on Buchla, Serge and Hordijk systems are must-reads for anyone interested in those systems.
But what I appreciate most is his skill in composition and music creation. His work speaks larger than the systems he uses, and that speaks volumes when those systems are such strong voices. Todd's work opens mental doors for me: I get great ideas by listening to his work and trying to imagine how to develop along similar lines with my own toolset.
You can check out the podcast from this link, and learn more about Todd (as well as listen to some of his music) at his website: toddbarton.com.
Friday, February 2, 2018
So Akai does this funky thing with their NAMM booth where they have a velvet rope scenario, and only retailers, artists and journalists get to enter. Luckily, I was paired up with my Recording folks, and got to slip in. There wasn't anything phenomenally new, but I did get to have a great talk with a demo dude that verified some things I'd been wondering about.
What did I come out with? An unnaturally and obscene desire to get an MPC X! Sheesh, I need to sit down and get humble!